Mixing Classic Roberta Flack in Atmos, Part 1
Pat Mavromatis shares what it takes to faithfully bring a 1973 Grammy-winning classic album into the modern format of Dolby Atmos.
Pat Mavromatis shares what it takes to faithfully bring a 1973 Grammy-winning classic album into the modern format of Dolby Atmos.
Showtime Sound provides full-scale event production services for the Supernova International Ska Festival every year.
Production sound mixer Laura Zimmermann won Brazil’s highest award for sound for her work on director Walter Salles’ 2024 political biographical drama I’m Still Here, a shoot that had its challenges.
Winchester Audio Barn may be the only recording studio in the world to share space with an event venue, restaurant/bar facilities and a classic car workshop and showroom.
MOTU’s latest rack-mounted audio interface is out—the 10pre serving up 40 Gbps Thunderbolt 4 or USB4 to deliver 10 inputs and more.
FOH engineer Demetrius Moore shares his audio objectives for mixing rap/R&B superstar Drake live.
Bryan Adams recently played Pompeii as part of his bespoke Bare Bones acoustic tour and recorded the night for posterity.
Malta has its first dedicated Dolby Atmos music studio, in the form of Lito’s Place.
Studio Technologies is shipping its new Model 394 GPI and Model 395 GPO Interfaces first previewed at IBC 2025.
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